The American Dream and a Lost Eden in The Tenants Essay -- Interplay b

The Tenants is angiotensin-converting enzyme of the most ended novels from a writer Malamud who is one of the finest post-war American novelists. The novel describes the meeting of two writers one Judaic, the other African-American and probes into the nature of the art of writing. His novels exhibit an enlace of fantasy and reality with equal importance on moral obligation. The orbit of the novel at issue is revolutionary York city, where the theme of self geographic expedition is gradually developed through the contrast between two writers, one Jewish and the other black, struggling to survive in an urban ghetto. Their confrontation about artistic standards bring out the essential theme of how slipstream informs cultural identity, the purpose of literature, and the conflict between art and life. Malamud blends gritty realism, idiotic comedy and fantasy to deal with social issue as rise up as nature of creative writing process. The Tenants tells the story of a writer labouring to complete a novel which he has been struggling everyplace for the past ten years. He stays in a tattered building in Manhattan of which he is the sole tenant. He stays thither much to the chagrin of its troubled owner who is eager to demolish it. The placement gets worse as an aspiring black writer sneaks into the building and starts his literary pursuit. Though the two characters Harry and Willie are polarized and stereotyped, their relationship is defined with a significant amount of psychological accuracy. The surrealistic quality of the novel suggests the focus in which art in the form of romance conveys the actual essence of human experience. The urban renewal process is rendered with a certain bloodcurdling quality that depicts a kind of waste land. The following description is parti... ...lection of critical Essays.Englewood Cliffs Prentice Hall, 1975.---, Eds. Bernard Malamud and the Critics. New York New York UniversityPress, 1971.Howard, Leon. Literatur e and the American Tradition. Garden City Doubleday, 1960.Levine, George. Realism Reconsidered. The Theory of the Novel, ed. JohnHalperin. New York Oxford University Press, 1974.Malamud, Bernard. The Assistant. 1957 rpt. New York Dell, 1971.---. The Tenants. 1971 rpt. New York bag Books, 1972.Olderman, Raymond M. Beyond the Waste Land The American Novel in theNineteen- Sixties. New Haven Yale University Press, 1973.Pinsker, Sanford. The Schlemiel as Metaphor Studies in the Yiddish and American Jewish Novel. Carbondale Southern Illinois University Press, 1971. Roth, Philip. Reading Myself and Others. New York Farrar, Straus, Giroux, 1975.