Character Analysis - Joe in Toni Morrisons\'s Jazz

The deplumate on page 130-133 in the novel depicts Joes entire mental state at the time of his killing of Dorcas. The inside stream of consciousness that makes up this section of the book comes but after the storyteller talks about the modifys in Joe from 1917-1925. \nThe invoke starts as an almost uncomfortably intimate inspection of Dorcas somatogenic appearance. Joe tells us She had long tomentum cerebri and bad skin and that he exchangeabled it like that; this could yield that he likes her imperfections, because it might call up that other people could like her less, allowing him to wee complete willpower over her. There were curt half moons clustered underneath her cheekbones, which could be indentations from her (or possibly Joes nails) signifying some sort of wrong that has been done. Although in a metaphoric sense, the marks on her spunk could be the dam develop things that have happened in her life presentation signs on her skin; she is aging more quickly b ecause of them. The hoofmarks could as well as have a connector with Joes repeated mentions of stingers and trails; this indication of the extract could see the excogitate I tracked Dorcas from borough to borough as if Joe were a hunter, stalking Dorcas, his prey. On page 120 the narrator is talking about a singer and the way the urban center spins you, suggesting you cant blend off the track the urban center spins for you. The metaphor of the track emphasises the claustrophobia of the metropolis and the fact that it can change the decisions a person makes. \nJoe obsessionally talks about the track and how it begins to talk to you. This personification is Joe deflecting the function away from himself. The track makes him lean towards Dorcas, and eventually Joe finds himself in a crowded room aiming a bullet at her amount of money, then the gun went thuh! The quality of word for the sound of the gunfire is odd, as it is a in truth soft sounding word and does not portra y the loud...