Horror At The Ushers

Setting, language and the story itself ar effective tools in impartation theme. Edgar Allen Poes The Fall of the abode of hall porter is a strong subject of gayy aspects of a story playing a critical role in its overall theme. In The Fall of the House of Usher, the root word of evil and sobriety flows from beginning to overthrow as the story unfolds in the same manner that an Alfred Hitchcock scene might unfold, leaving the reader or watcher in a deep terra firma of visual fright. In film, horror is easily exposed with the combination of eerie background music, dark makeup and scary props. In literature however, disturbing scenarios commit physical description, dialogue and manipulation of language. Poe masterfully captures the essence of horror with detailed description of both the physical appearance of backcloth and character, as well as the suspenseful manner in which he leads the reader to the climax of the story.

The physical setting of the Usher mansion, both on the out-of-door(p) and the inside, conveys a feeling of gloom and death. At first the cashier spends time observing the outside of the house and describes what he sees as bleak, decayed, vacant, ghastly, and gloomy (335). These descriptive words help the reader draw a mental picture of the organise that he is closely to enter. Once inside, the narrator opens our eye to the depressive and eerie décor with descriptions such as gothic archway, dark and heterogeneous passages, somber tapestries, and phantasmagoric armorial trophies (336).

Blelloch 2 By now it is app bent that only horrific things testament take place in such a frightful dwelling. Even forrader meeting the inhabitants of the house, the reader can imagine madmen, monsters or vampires. aft(prenominal) all, who else would live in such darkness?          The narrators first whim of the master of the house, Roderick Usher, as a man consumed by madness, adds to the head that horror is inevitable. Rodericks cadaverous complexion, liquid and large eyes, and pallid lips (337) make the reader feel both forbearance and disgust when meeting him through the eyes of the narrator. His appearance resembles a vampires look when he has not had enough blood to abate his thirst. In addition to Rodericks physical appearance, his mannerisms describe a man in danger. He shows an excessive nervous agitation (337) and the narrator compares him to a lost drunkard and an irreclaimable eater of opium (337). At this point of the story we know that this will not be a cordial and pleasant re-acquaintance of long lost friends. The process of monition signs scream to both the narrator and the reader to run away before horror takes over.

Suspense becomes the most convincing member of horror in Fall of the House of Usher. afterward spending most of the story describing the physical setting and the characters state of dementia, as well as supplying the reader with the pallid family background, the narrator leads us to the beginning of the end in a long and turbulent passageway of suspense.



Climate adds to the feeling of drowsy doom as it pushes us to feel the impetuous abandon of the entering gust that nearly lifted us from our feet (343). We reek danger and feel the narrators trepidation while he reads passages from his record hoping to avoid the low and apparently distant, but harsh, protracted, and most Blelloch 3 unusual screaming or grating sound(345). Our senses are overcome with fear and anticipation, elements of a successful horror story, and we are alert to the sights and sounds of nerve-wracking anticipation. The narrator, Roderick and the reader know that something terrible will soon happen, but when? How long do we have to storage area? The element of suspense frightens us more than the impending events. The idea that Roderick will pay the ultimate price for his evil actions do not worry us as much as knowing that we will follow him to his fate.

        The idea of horror in film, in literature and in life, is alluring and magnetic. Horror is visualized everywhere. We watch murderers kill on the big screen. We read stories about demons and vampires, and we watch real-life horrors unfold on the five oclock news. Although most commonwealth will never participate in horrific acts, we further become drawn to the stories that involve fear. The theme behind these types of stories gives us the same effect as riding a rolling wave coaster, screaming and holding our arms in the air. People screw to be scared, and Edgar Allen Poes Fall of the House of Usher delivers.

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