The Cooperative/Public Power Advantage
by Jessica Shelby
The stage was set and the readiness was ready. The date was May 17, 1966; the place was Free Trade residency in Manchester England. The infamous Bob Dylan took to the stage to open the Newport clan Festival. However, a foreign instrument was in Mr. Dylans hands; it was an galvanic guitar. Dylan began strumming the dividing line to Like a Rolling Stone, but his erst so faithful followers had turned on him. They began yelling Judas and booing Dylan of the stage. Reluctantly, Dylan finished his set and stepped off stage without a discernable trace of applause.
Dylan went back stage with his head hung low. Whats with the no-count vibe, slice? Dylan looked up to see a black man pickax the guitar more magnificently than he had ever seen.
Hey, man, what are you doin here(predicate)? Who are you, asked Dylan.
The names Jimi. Im just here looking for inspiration, my brother. Hey, you never explained that sad vibe of yours, replied Jimi.
I was just booed off the stage for attempting to cross over
Hey man, I heard you out there. You werent half bad. Theyll come almost. Jimi was picking the tune to Purple Haze, which, at the time, was still unknown.
Dylan asked, Whatcha pickin, man.
Oh just a secondary something Ive been working on, replied Jimi.
Well, this is a folk crowd. That type of music wont go far, said Dylan.
Jimi replied, Theyll come around. Sit down, my man, and let me explain something to ya.
Dylan sit next to the man, somewhat bewildered and curious. You see, said Jimi, electricity aint been around most folks for more than thirty some bizarre years. Folk music is what these folks grew up to. Its what they used to.
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