Upon reading Plato?s stance against poetry, it is refreshing to say the to the lowest degree to take into consideration Longinus?s praise of the art. In ?On the Sublime,? this author with the unknown identity lauds the art of sublimity, stating that it is an ?eminence and morality in language; and that from this, and this alone, the heavy(p)est poets and writers of prose have attained the early place and have clothed their fame with immortality.? Longinus provides five sources of ?the sublime?, that is to say the power of forming great conceptions, vehement and inspired passion, formation and custom of figures, dignified diction and lastly the nobleness of elevation. These sources will be pointed away and discussed in this essay in an effort to illustrate the great manner in which Longinus deals with the important topic of sublimity.
Sublimity is easily seen as it ?[flashes] forth at right moment, [scattering] everything before it like a thunderbolt.? (75). It attri stilles to a discourse a sense of grandeur. The sublime whitethorn be seen as an elevation of language often make up in a single thought. Longinus argues that a sublime or ?lofty? tone is innate, and comes about not just by teaching [nurture] but also is a boon of nature.
This lofty is noticed in dignified and elevated compositions whereby more(prenominal) is seen on the page than the words at the surface, thus prehension the reader?s interest, not through persuasion but instead by transport of the author?s fibrous discourse. Longinus states:
At every time and in every way direful speech, with the spell it throws over us, prevails over that which aims at persuasion and gratification. Our persuasions we burn usually control, but the influences of the sublime bring power and irresistible might to bear, and reign supreme over every hearer. (76).
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