Let me non to the jointure of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O, no! it is an perpetually-fixed mark That looks on tempests and is n perpetually shaken; It is the star to every wandering bark, Whose worths unknown, although his height be taken.
Loves not Times fool, though rose-cheeked lips and cheeks Within his bending sickles compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom.
If this be error and upon me proved, I never writ, nor no man ever loved.
William Shakespeare 1609 William Shakespeare, without question, is heralded as 1 of the most accomplished playwrights who ever lived. Many within literary circles consider him to be the great playwright ever rendered from England. Although the exact number of his plays remain a mystery (history has posthumously bequeathed him thirty-seven), his works continue to be clamored for by audience and actor alike, often providing a standard by which other plays and characterizations are judged. Aside from his plays, Shakespeare also composed 154 sonnets, a form of lyrical poetry. The sound out sonnet is derived from the Italian word sonnetto, or little song, a means of telling a short story or presenting a philosophical idea.
This outline paper will attempt to focus on one particular sonnet titled Let me not to the marriage of true mindsÂ, written in 1609. I will project a brief biography of the author, provide a rhetorical description of the sonnet, and then describe what I perceive the theatrical role to mean by examining the verses and then the work encompassed.
William Shakespeare was born in Stratford, England in 1564. He was the third of eight children born to bloody shame Arden, daughter of a successful landowner. His father, John Shakespeare, was a...
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